National Geographic Documentary Films Announces “The Cave”
National Geographic has announced details on a new feature documentary, The Cave — a powerful new film about a hidden secret underground hospital in Syria and the unprecedented female-led team of civilians and medical professionals who are risking their lives to provide medical care to the besieged local population.
Academy Award-nominated filmmaker Feras Fayyad (“Last Man in Aleppo”) is directing The Cave, with Danish Documentary Films’ Kirstine Barfod (“Venus”) and Sigrid Dyekjær (“Something Better to Come”) as producers, and Eva Mulvad (“A Modern Man”), Pernille Rose Grønkjær (“The Monastery”) and Mikala Krogh (“The Newsroom – Off the Record”) executive producing. The Cave is slated for a fall 2019 release in theatres.
The film follows 30-year-old Dr. Amani, an aspiring pediatrician forced to end her studies and medical training due to the devastating war in Syria, as she becomes the appointed leader of a team of 130 medical practitioners in the secret hospital serving the 400,000 civilians of the besieged city of Al Ghouta from 2012 to 2018. Due to the nonstop onslaught of conventional and chemical warfare, brutalized and displaced victims constantly flood the subterranean haven through secret entrances and an intricate network of tunnels. Despite the limited supply of medical resources, Dr. Amani and her team work tirelessly to restore health and hope.
“While I was detained by the Syrian regime for a critical film I made, I witnessed the suppression and torturing of women, an inhuman shameless pride of cruelty, in prison. Not only because they were prisoners but because they were women. I also observed one of the most atrocious war crimes in modern history when the Syrian regime used chemical weapons to attack Al Ghouta in 2013. These experiences were shockingly frightening and unforgettable, but even worse, the rest of the world looked on silently,” said Fayyad. “I knew I had to challenge the inaction and I felt morally responsible to expose the effects of the war crimes. My vision for The Cave was to paint a human picture of the Syrian War through the eyes of these unsuspecting female heroes, and for the film to be a global call to action for response to this humanitarian crisis.”
“This is an important story for women today and for the coming generations. It is about women who want independence and change in life,” said Dr. Amani. “It is my hope that the more people see it, the closer we are to ending the war and achieving justice. Something has to change.”
“National Geographic Documentary Films, a brand with such a pristine reputation for powerful storytelling, has inspired us, and we are thrilled to be working together,” said Barfod and Dyekjær. “With their support, we too hope to bring as much attention as possible to the crisis in Syria and shed a light on the gender inequality in the region through Dr. Amani’s story.”
“Dr. Amani is a true hero. We are honored to share her story with the world and to ensure that her team’s unwavering dedication and commitment in the most horrendous of circumstances is witnessed by the largest global audience possible,” added National Geographic Documentary Films’ Carolyn Bernstein.
National Geographic Documentary Films has achieved remarkable success in a very short time. Most recently, the critically acclaimed film Free Solo won both the Academy Award and the BAFTA Award for Best Documentary Feature — in addition to CAS, MPSE, Critics’ Choice and Cinema Eye wins. In 2017, two films released under the Documentary Films banner, Jane and LA 92, made the Oscar shortlist for Best Documentary Feature, and both won Emmys: LA 92 for Special Merit and Jane for Best Director and Best Cinematography.
For National Geographic Documentary Films, executive producers are Carolyn Bernstein and Ryan Harrington. For National Geographic Channel, executive producer is Matt Renner.
With National Geographic being one of the five core brands for Disney+, The Cave, will probably follow “Free Solo” and join the new streaming service after its finished its cinema run.
Are you excited for “The Cave”?
Roger Palmer
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I also suggest you make movies that can only hear the sound and noise of the animals. Only the caption should be displayed on the film. The inscription should be short so that the viewer's attention is not overused. I think this film can be a good therapeutic tool. Provides a new experience for viewers.